Vertumnus and Pomona | Rodin Museum. The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. Inspired by an Indian play about Sakuntala’s reunion with her husband after a long separation caused by a magic spell, the work was first modelled in plaster circa 1886. Wir verkaufen keine Massenware, sondern produzieren mit Liebe zum Detail individuell gefertigte Meisterwerke. Cacountala oder der Verlassene oder Vertumnus und Pomona, 1888 von Camille Claudel (1864-1943) (Marmor) von Camille Claudel als hochwertigster Kunstdruck nach Ihren Wünschen gefertigt. [6][7][8], In connection with her early work on the piece, on 8 November 1889 Claudel wrote to her friend Florence Jeans: "I’m now working on my two larger-than-life figures and I have two models per day: a woman in the morning, a man in the evening. The sculpture depicts a young couple, with a kneeling man embracing a woman leaning towards him. She kept her orchards closed because she wanted to rid of the men who were attracted to her good looks. Vertumnus and Pomona - A Myth with a Moral Many of the ancient Myth Stories, like the legend of Vertumnus and Pomona, incorporate tales with morals that provided the old story-tellers with short examples of exciting tales for kids and children of how to act … Claudel decided that her first major project would be an ambitious piece celebrating the triumph of love. CLAUDEL, CAMILLE View Title Vertumnus and Pomona, front view Creator/Culture artist: Camille Claudel (French, 1864-1943) Site/Repository Paris, Musee Rodin Period/Date 1888 Legacy Media/Technique Marble Dimensions 91_x 80_x 42_cm. Sakuntala, also known as Sakountala or Çacountala , is a sculpture by the French artist Camille Claudel, made in several versions in different media from 1886, with a marble version completed in 1905, and bronze castings made from 1905. Claudel donated the plaster version to the Musée Bertrand [fr] in Châteauroux in 1895. Pomona fenced her garden so the rude young men couldn't trample her plants and vines. A terracotta study c.1886 is held by the Musée d'Orsay in Paris, an 1888 completed plaster version is held by the Musée Bertrand [fr] in Châteauroux,[1] a marble version completed in 1905 and renamed Vertumnus et Pomona is held by the Musée Rodin in Paris, and several bronzes were cast for Eugène Blot [fr] from 1905 entitled L'Abandon ("The Abandonment"). (b. You can understand how tired I am: I regularly work 12 hours a day, from 7 in the morning until 7 in the evening, and when I get home, it's impossible for me to remain standing and I go directly to bed. It was retitled Vertumnus and Pomona, referring to the characters from Greek mythology, Pomona and Vertumnus, whose tale is recounted in Ovid's Metamorphoses. The sculpture depicts a young couple, with a kneeling man embracing a woman leaning towards him. Vertumnus und Pomona (met. (#221761) Claudel decided that her first major project would be an ambitious piece celebrating the triumph of love. He eventually refused to marry her, reluctant to end his long-term relationship with Rose Beuret, mother of his son and later his wife. "[3], The sculpture was one of Claude's first major independent works. [9], Claudel's plaster sculpture may have been influenced by Rodin's 1882 sculpture The Kiss (Le baiser) and his c.1884 Eternal Springtime (L'Éternel Printemps), but in turn it inspired Rodin's 1890-93 sculpture The Eternal Idol (L'Eternelle idole), and there are further echoes in his 1889 L'homme et sa pensée. The bronze, cast by Eugène Blot, was shown the same year at the Salon d’Automne under the title Abandon. [15], Teracotta study, c.1886, exhibited at Roubaix, Vertumnus and Pomona, marble, 1905, Musée Rodin, Rodin, L'Eternelle idole, marble, Musée Rodin, 1890-1893, "Shakuntala (Vertumnus and Pomona)1905 by Camille Claudel", "Vertumnus and Pomona: Camille Claudel (1864 -1943)", "1886 - 1893 : Rodin and Camille Claudel: a tumultuous love affair and an impassioned, intense artistic dialogue", "1881-1885 : L'arrivée à Paris et la rencontre avec Auguste Rodin, un tournant décisif", "Camille CLAUDEL Fère-en-Tardenois, 1864 - Montfavet, 1943 Etude II pour "Sakountala", circa 1886", "Camille Claudel: Etude II pour Sakountala", "The Sensual World: Camille Claudel's Sculptures Was Sold For Record Amount", "Camille CLAUDEL Fère-en-Tardenois, 1864 - Montfavet, 1943 Etude I pour "Sakountala", circa 1886", "Camille Claudel: L'Abandon (Sakountala)", "Impressionist/Modern Evening Sale, London", "Camille Claudel Sculptures Smash Auction Records in Paris, Cementing Her Legacy as More Than Rodin's Muse", "Camille Claudel (1864-1943) L'Abandon, grand modèle, circa 1886",, Creative Commons Attribution-ShareAlike License, This page was last edited on 1 February 2020, at 21:23. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. Blot exhibited a cast in December 1905 alongside other Claudel works that Blot had cast in bronze, including her Entreaty in two sizes, Perseus and the Gorgon, Dream by the Fire, Fortune, Intimacy, The Old Woman, The Mermaid, The Waltz and The Gossips.


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